The Demand Distribution curve illustrates how a TV show’s popularity compares to the demand benchmark, which is a measure of the average demand across all titles. The curve is divided into performance buckets, ranging from “Below Average” to “Exceptional”. A show falls into one of these performance buckets depending on how many times more or less demand it has compared to the demand benchmark.
The show’s performance is market-specific, e.g. the same show can be in the “Average” range in the United States and in the “Good” range in France.
As an example, if a show has 9 times more demand than the demand benchmark, it falls in the “Outstanding” performance range; only 2.7% of all shows in the market reach this high level of demand.
As an entertainment executive, understanding audience demand data can help make more informed content acquisition, distribution, and programming decisions, and assist in content valuation. One use of audience demand data is to determine how valuable a title is to a platform and assess the ROI it will bring. Parrot Analytics' content valuation system is based on demand data and can reveal the dollar value contribution of any title to any platform in any region. Therefore, content valuation can be applied to an individual series or an entire library.
In the case of “Is It Wrong To Try To Pick Up Girls In A Dungeon?" in Brazil, the demand data insights reveal that the show has achieved a high level of demand and has been growing in popularity compared to the last 90 days. Its audience demand ranks at the 97.6th percentile in the comedy genre, in December. This means this show holds higher demand than 97.6% of all other comedy titles in Brazil. The show moved up 48 spots in Rank during the month of December and had a demand spike at the end of the month. Moreover, the show has longevity, which indicates how well audience demand is maintained over time and is rated outstanding.
Secondly, Demand data can help with subscriber retention and acquisition by answering the questions of what titles to buy to keep the current audience happy and what titles to add to attract new subscribers. In the case of "Is It Wrong To Try To Pick Up Girls In A Dungeon?" it has outperformed the demand for an average TV show (1x) in Brazil, which indicates its ability to attract and retain subscribers.
Thirdly, demand data enables the optimization of content release strategies, pricing and pre-released marketing. When you examine the global market demand for "Is It Wrong To Try To Pick Up Girls In A Dungeon?", it can uncover under-monetized titles and help platforms identify where they can allocate their funds to maximize future content investments.
Fourthly, demand data enables competitive benchmarking by comparing the performances of different shows available in the market. The performance of "Is It Wrong To Try To Pick Up Girls In A Dungeon?" over the last 30 days to a 1 year rolling basis reveals that it has been increasing in popularity.
Finally, demand data can help answer questions like which content should be prioritized in distribution, what type of content are in high demand and what content resonates with a particular market. The performance of "Is It Wrong To Try To Pick Up Girls In A Dungeon?" in the United States and Japan shows that it has an outstanding audience demand and highlights the show's popularity in these markets. Also, metadata such as the show's profile can assist in strategic planning while analyzing the demand data for the show.
In summary, Parrot Analytics' demand data provides valuable insights that can help entertainment executives make strategic decisions regarding content acquisition, distribution, and programming, as performing competitive benchmarking, optimizing the release strategy and pricing, and identifying under-monetized titles. By leveraging demand data, entertainment executives can estimate the value of titles, decision on content knowledgably, and increase their market share.
Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか)'s travelability to Brazil in the last 30 days is 15%, which means that the audience demand for Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか) is 15% of the demand in its country of origin, Japan. Click through to another market to discover how well Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか) travels internationally.
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Our TV audience measurement dataset is truly global. Discover how popular Tokyo MX‘s Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか) is in any of the following selected markets. Need data for other markets? Find out more about DEMAND360LITE.
Parrot Analytics is the leading global content demand analytics company for the multi-platform business of television. With the world’s largest TV audience demand dataset, the company currently tracks more than 1.5B daily expressions of demand in 100 languages, not only in Brazil, but also in 100+ other markets around the world to reveal the television content that consumers watch (viewership) and give their attention to the most.
Parrot Analytics' television demand data highlights the global TV content monetization opportunities for Tokyo MX and thousands of TV studios, linear networks, broadcasters, pay TV providers and OTT / SVOD platforms.
Unlike TV ratings, our DemandRank TV rating system ensures that important demand signals are weighted more heavily than others: The more consumer effort required; the more importance is attached to each signal. Once all the signals are weighted and combined, the audience demand for Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか), for example, can be assessed for a market e.g. Brazil, which can then be benchmarked against genre averages (e.g. Japanese Animation), using our globally standardized Demand Expressions® metric.
This page has been changed on April 22, 2024, 2:02 p.m. PST using global tv demand analytics from Parrot Analytics for Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか) in Brazil. We provide our partners with extensive television series insight to help them drive better and more informed content acquisition strategies. Contact us today to find out more.