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TV ratings for Evil in Germany. Paramount+ TV series

Evil

Original TV Network:
Paramount+
Genre:
Drama
Release type:
Digital Original
IMDB Rating:
7.7

A skeptical female clinical psychologist joins a priest-in-training and a blue-collar contractor as they investigate supposed miracles, demonic possession, and other extraordinary occurrences to see if there's a scientific explanation or if something truly supernatural is at work. more

How well is this TV series doing in Germany?

Last 30 days
4.3x Difference from market average good
Title position in demand distribution
Outstanding demand distribution

The Demand Distribution curve illustrates how a TV show’s popularity compares to the demand benchmark, which is a measure of the average demand across all titles. The curve is divided into performance buckets, ranging from “Below Average” to “Exceptional”. A show falls into one of these performance buckets depending on how many times more or less demand it has compared to the demand benchmark.

The show’s performance is market-specific, e.g. the same show can be in the “Average” range in the United States and in the “Good” range in France.

As an example, if a show has 9 times more demand than the demand benchmark, it falls in the “Outstanding” performance range; only 2.7% of all shows in the market reach this high level of demand.

Elevating the Entertainment Industry: The Power of Audience Demand Data for Informed Decision-making

Parrot Analytics Insights - February 2024

As an entertainment executive, understanding audience demand for a particular TV show can play a critical role in determining the show's true value. Using the example of "Evil," let's explore how examining demand data can help with content, acquisition, distribution, and programming decisions.

Content Valuation: By analyzing how much demand for "Evil" has increased in Germany (75.1% in February 2024), we can determine the show's value to audiences in this particular region. Examining the show's performance on a global level can offer additional insights, such as the fact that the series achieved outstanding audience demand in its country of origin (the United States) and outperforms the average TV show in each of the top 10 global markets. This data can help determine how much the show is worth and how much to spend on future seasons or episodes.

Acquisition: The genre affinity analysis demonstrates interest in likes like "Foundation", "The Mandalorian", "The Expanse", "The Orville", and "The Book of Boba Fett." Leveraging this insight, executives can acquire TV shows and movies that appeal to the same audience. In terms of calculating ROI for specific titles, by examining the show's global performance and longevity, executives can assess whether "Evil" is a good investment and how much value it brings to a particular platform or company.

Distribution: Travelability measures a show's global demand relative to its home market and can identify countries where a show could be successful. In the case of "Evil," it has good travelability, indicating that the show has appeal in markets other than the United States, such as the Netherlands, Canada, the United Kingdom, France, Russia, Germany, and Belgium. This data can help determine which markets to target and how to allocate distribution efforts.

Programming: By examining the peaks and valleys in demand data over time, executives can determine the best rollout strategy for a particular title. In the case of "Evil," the show has recently increased in popularity, which could inform when to premiere new seasons and episodes. The momentum and reach dimensions can also be valuable for programming decisions, as they provide insight into how quickly audience demand is growing and how large the potential audience is for a particular title.

In conclusion, audience demand for a TV show can provide valuable insights for entertainment executives, informing their decisions regarding content, acquisition, distribution, and programming. In the case of "Evil," examining demand data on a global level reveal the show's high performance and potential value to streaming and linear networks. By incorporating audience demand data into decision-making processes, executives can make more informed choices that minimize risks and maximize profits.

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More news about Evil:

How fast is demand for Evil growing?

Last 30 days
+32.9% Change in demand
On a rolling 30-day average basis, we compare TV demand in Germany for Evil to the preceding 30 days: Demand has increased by 32.9%

Drama performance

Last 30 days
96.6% Percentile rank
Evil ranks at the 96.6th percentile in the Drama genre. This means Evil has higher demand than 96.6% of all Drama titles in Germany
Title position in Drama
percentile-rank-desktop

How well is this TV series doing globally vs. its home market?

Last 30 days
51% Travelability to Germany

Evil's travelability to Germany in the last 30 days is 51%, which means that the audience demand for Evil is 51% of the demand in its country of origin, United States. Click through to another market to discover how well Evil travels internationally.

Powering the content industry

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Maximize advertising revenues from new audiences

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Discover more insights

Over the last 7 days, people who watch Evil also watch:

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DEMAND360LITE

Monitor global audience trends for 30,000+ TV shows, 18,000 movies and 40,000+ talent in 50+ markets and gain access to exclusive reports and analysis.

None
$99
USD per month
Pay monthly
None

Why get DEMAND360LITE?

  • Rank 30k+ TV shows, 18k+ movies and 40k+ talent in 50+ markets.
  • Get access to comprehensive global entertainment analytics.
  • Discover consolidated insights on global industry trends.
  • Learn from our experts with exclusive reports and whitepapers.
  • Save time with one curated feed of entertainment industry news.

Global TV content analytics for the attention economy

Parrot Analytics is the leading global content demand analytics company for the multi-platform business of television. With the world’s largest TV audience demand dataset, the company currently tracks more than 1.5B daily expressions of demand in 100 languages, not only in Germany, but also in 100+ other markets around the world to reveal the television content that consumers watch (viewership) and give their attention to the most.

Parrot Analytics' television demand data highlights the global TV content monetization opportunities for Paramount+ and thousands of TV studios, linear networks, broadcasters, pay TV providers and OTT / SVOD platforms.

Unlike TV ratings, our DemandRank TV rating system ensures that important demand signals are weighted more heavily than others: The more consumer effort required; the more importance is attached to each signal. Once all the signals are weighted and combined, the audience demand for Evil, for example, can be assessed for a market e.g. Germany, which can then be benchmarked against genre averages (e.g. Paranormal Drama), using our globally standardized Demand Expressions® metric.

This page has been revised on March 28, 2024, 2:04 p.m. PST using demand metrics from Parrot Analytics for Evil in Germany. We provide our partners with deep media industry expertise to help them drive better and more informed content licensing strategies. Contact us today to find out more.