The Demand Distribution curve illustrates how a TV show’s popularity compares to the demand benchmark, which is a measure of the average demand across all titles. The curve is divided into performance buckets, ranging from “Below Average” to “Exceptional”. A show falls into one of these performance buckets depending on how many times more or less demand it has compared to the demand benchmark.
The show’s performance is market-specific, e.g. the same show can be in the “Average” range in the United States and in the “Good” range in France.
As an example, if a show has 9 times more demand than the demand benchmark, it falls in the “Outstanding” performance range; only 2.7% of all shows in the market reach this high level of demand.
As an entertainment executive, the demand data for "Everybody Hates Chris" in France for the month of March 2024 holds valuable insights to help make more informed content or programming decisions. Firstly, as per the analysis, the show has a demand of 3.0 times the audience demand of the average show in France over the last 30 days, and only 8.6% of all TV shows have this level of demand. Thus, the show's positive demand indicates that it is performing well in France and has the potential of being a valuable asset for an OTT platform or linear network.
Furthermore, executives can use demand data not only to understand the current value of a show but also to assess its future value. For example, by comparing the show's average demand over the last year with its current demand over the last 30 days, executives can gauge how its popularity has increased over time. In the case of "Everybody Hates Chris", the show has increased its popularity in France by 78.8% during March 2024, indicating that its value has increased recently and executives can expect a significant ROI from the show.
The demand data also provides an idea of how the show performs in different genres. According to the analysis, the show ranks at the 96.5th percentile in the family genre in France, meaning that it has a higher demand than 96.5% of all family titles in France. Thus, executives can analyze which genres the show fits best to target specific audience segments and plan programming strategies accordingly.
Additionally, the Parrot Pulse provides an overview of the show's global performance, and in the case of "Everybody Hates Chris," it has a positive rating across six dimensions. The show's travelability has a good rating, indicating that it has significant international demand, and franchisability also has a good rating, implying that the show holds potential for spin-offs or for further monetization. Executives can leverage these insights to make data-driven decisions about the best content distribution methods and how they can monetize their content fully.
Lastly, executives can use demand data to power their pre and post-release marketing campaigns, identify under-monetized titles, and make informed decisions on supply and demand. Demand data helps with subscriber retention and acquisition, as well as discovering the most popular genres and shows in a particular market. By examining the demand data for "Everybody Hates Chris" for France, executives can make informed decisions about the French market and assess the value of the show both nationally and globally.
In summary, demand data can enhance the content valuation system and provide executives with valuable insights into a show's value, future potential, and global performance. By leveraging the insights provided by demand data analytics, executives can make informed decisions regarding content acquisition, monetization, distribution, programming, and marketing.
Everybody Hates Chris's travelability to France in the last 30 days is 34%, which means that the audience demand for Everybody Hates Chris is 34% of the demand in its country of origin, United States. Click through to another market to discover how well Everybody Hates Chris travels internationally.
Answer one question and put our thinking to work on your challenges.
Who are you in the industry?
Capture more value from content opportunities in France as well as globally. Contact us now to leverage audience profiling, market-based insights, talent scoring and genre clustering to de-risk production investments. Discover new business opportunities in the Comedy genre and assess the strengths and weakness of the competition’s content e.g. the cw, leading to increased commercial efficiency and ROI.
Support casting decisions with empirical market data for France. Contact us now to reveal hidden talent insights, through a combination of affinity and trait analysis, encompassing both global and market-based factors to determine who is truly worth an investment. Discover new business opportunities and assess the strengths and weakness of the competition’s offerings including specific titles such as Everybody Hates Chris.
Produce with confidence whilst mitigating downside risks. Contact us now to decrease production risks by combining content genome insights with demand data to increase the likelihood of a successful series: Gain deep insights into character, talent, setting, plot, theme and genre preferences, including Comedy. Using audience demand data, explore markets such as France to discover lucrative new sales opportunities whilst evaluating the expected ROI for new series acquisitions such as Everybody Hates Chris from partners like the cw.
Studios in France are now empowered to fuse art with science for the next global hit. Contact us to gain deep insights into target audiences’ character, talent, setting, plot, theme and genre preferences (e.g. Comedy) - for both local and global content. Find the best performing concepts with demand-driven concept testing and development. Apply talent demand to gain a holistic view of future content performance, pre-development.
Are you seeking distribution for Everybody Hates Chris? Lead global content negotiations with authority. Contact us now to discover if you should prioritize markets such as France, based on country-specific audience demand - including territories where commercial rights have not yet been granted. Apply a demand-based framework to negotiations with potential distribution partners such as the cw to maximize the deal value. Assess the strengths and weakness of the competition’s content, leading to increased commercial efficiency and ROI.
Maximize advertising revenues from new audiences in France. Contact us now to leverage a return-focused selection criteria for title acquisition from the cw by incorporating country-specific trend and market demand factors. Appeal to audience interests using demand-driven advertising and personalize campaigns to capitalize on pre-release demand for specific titles such as Everybody Hates Chris. Access audience taste clusters weeks ahead of a premiere, resulting in high impact campaigns for titles that have not even been released.
Acquire the best shows from partners such as the cw to fortify your competitive position in France. Contact us now to access audience taste clusters weeks ahead of a premiere, resulting in high impact campaigns for titles (e.g. Everybody Hates Chris), including those that have not even been released. Leverage a return-focused selection criteria for title acquisition by incorporating country-specific trend and market demand factors.
Command your Comedy genre niche with maximum net subscriber adds. Contact us now to harnesses audience demand data to gain insights for growing and keeping a subscriber base. Leverage a return-focused selection criteria for title acquisition from partners such as the cw by incorporating country-specific trend and market demand factors for all markets including France. Appeal to the individuality of your audience base, taking into consideration the unique and limitless characteristics of taste clusters.
Deploy high impact entertainment marketing strategies across all genres including Comedy. Contact us now to deploy demand-driven marketing, the only empirical earned media measure of your marketing spend. Access audience taste clusters weeks ahead of a premiere, resulting in high impact campaigns for titles such as Everybody Hates Chris, including those that have not even been released. Appeal to your target markets, including France, based on audience interests, enabling the personalization of campaigns to capitalize on pre-release demand.
Our TV audience measurement dataset is truly global. Discover how popular the cw‘s Everybody Hates Chris is in any of the following selected markets. Need data for other markets? Find out more about DEMAND360LITE.
Parrot Analytics is the leading global content demand analytics company for the multi-platform business of television. With the world’s largest TV audience demand dataset, the company currently tracks more than 1.5B daily expressions of demand in 100 languages, not only in France, but also in 100+ other markets around the world to reveal the television content that consumers watch (viewership) and give their attention to the most.
Parrot Analytics' television demand data highlights the global TV content monetization opportunities for the cw and thousands of TV studios, linear networks, broadcasters, pay TV providers and OTT / SVOD platforms.
Unlike TV ratings, our DemandRank TV rating system ensures that important demand signals are weighted more heavily than others: The more consumer effort required; the more importance is attached to each signal. Once all the signals are weighted and combined, the audience demand for Everybody Hates Chris, for example, can be assessed for a market e.g. France, which can then be benchmarked against genre averages (e.g. Sitcom), using our globally standardized Demand Expressions® metric.
This page has been adjusted on April 19, 2024, 2:02 p.m. PST using demand metrics from Parrot Analytics for Everybody Hates Chris in France. We provide our partners with valuable TV workflows to help them drive better and more informed content acquisition strategies. Contact us today to find out more.