The Demand Distribution curve illustrates how a TV show’s popularity compares to the demand benchmark, which is a measure of the average demand across all titles. The curve is divided into performance buckets, ranging from “Below Average” to “Exceptional”. A show falls into one of these performance buckets depending on how many times more or less demand it has compared to the demand benchmark.
The show’s performance is market-specific, e.g. the same show can be in the “Average” range in the United States and in the “Good” range in France.
As an example, if a show has 9 times more demand than the demand benchmark, it falls in the “Outstanding” performance range; only 2.7% of all shows in the market reach this high level of demand.
As an entertainment executive, you need to make informed decisions about content, acquisitions, distribution, and programming for your platform. Utilizing Parrot Analytics' demand data, such as the performance metrics of "Is It Wrong To Try To Pick Up Girls In A Dungeon?" in the United Kingdom throughout March 2024, can help with all aspects of decision-making. Parrot Analytics' global content valuation system makes it possible to quantify the economic value of any title, in any region, to any platform.
First and foremost, demand data is fundamental to content valuation. The demand data for "Is It Wrong To Try To Pick Up Girls In A Dungeon?" over the last 30 days in the United Kingdom indicates a 5.6 times demand compared to the United Kingdom's average show, with only 8.6% of TV shows having this level of demand. Comparing the performance of the show on a one-year rolling basis with the last 30 days, we see that the show's popularity has increased by 20.5%. Therefore, using the demand data, entertainment executives can determine the value of a show accurately, which can inform content decisions such as how much to spend on content, value of a content library, how to optimize future content, and the ROI of a title.
Demand data can also inform acquisition decisions. The audience demand for the show has increased in the United Kingdom by 3.4% during March 2024. This increase in demand can help entertainment executives prioritize which titles to acquire or produce. The data also provides information such as travelability, which measures a show's international demand, and the top 10 global markets where the show is most in-demand. This information can inform global expansion strategies, investment allocation, and help entertainment executives identify under-monetized titles.
Furthermore, demand data is valuable in programming decisions. "Is It Wrong To Try To Pick Up Girls In A Dungeon?" ranks at the 96.9th percentile in the comedy genre in the United Kingdom, indicating high audience demand. The Parrot Pulse measures the show's global performance across six dimensions, including momentum and longevity, which can inform programming scheduling decisions. One can also use demand data to optimize release strategies and pricing, as well as discover new opportunity markets for content distribution.
Finally, demand data is also helpful in distribution decisions. Entertainment executives can use demand data to determine which platforms to target for the distribution of their content, or measure the value of their content if they want to sell it to another streaming platform. Additionally, affinity analysis and taste clusters can provide insights into which TV shows can help attract and retain subscribers.
Overall, Parrot Analytics' demand data can provide entertainment executives with valuable insights into making informed decisions about content, acquisitions, distribution, and programming. They can use this data to determine the economic value of a title, optimize global expansion strategies, and discover new opportunity markets, among other things. Understanding demand data will enable entertainment executives to gain a competitive advantage in the industry.
Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか)'s travelability to the United Kingdom in the last 30 days is 62%, which means that the audience demand for Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか) is 62% of the demand in its country of origin, Japan. Click through to another market to discover how well Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか) travels internationally.
Answer one question and put our thinking to work on your challenges.
Who are you in the industry?
Capture more value from content opportunities in the United Kingdom as well as globally. Contact us now to leverage audience profiling, market-based insights, talent scoring and genre clustering to de-risk production investments. Discover new business opportunities in the Animation genre and assess the strengths and weakness of the competition’s content e.g. Tokyo MX, leading to increased commercial efficiency and ROI.
Support casting decisions with empirical market data for the United Kingdom. Contact us now to reveal hidden talent insights, through a combination of affinity and trait analysis, encompassing both global and market-based factors to determine who is truly worth an investment. Discover new business opportunities and assess the strengths and weakness of the competition’s offerings including specific titles such as Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか).
Produce with confidence whilst mitigating downside risks. Contact us now to decrease production risks by combining content genome insights with demand data to increase the likelihood of a successful series: Gain deep insights into character, talent, setting, plot, theme and genre preferences, including Animation. Using audience demand data, explore markets such as the United Kingdom to discover lucrative new sales opportunities whilst evaluating the expected ROI for new series acquisitions such as Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか) from partners like Tokyo MX.
Studios in the United Kingdom are now empowered to fuse art with science for the next global hit. Contact us to gain deep insights into target audiences’ character, talent, setting, plot, theme and genre preferences (e.g. Animation) - for both local and global content. Find the best performing concepts with demand-driven concept testing and development. Apply talent demand to gain a holistic view of future content performance, pre-development.
Are you seeking distribution for Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか)? Lead global content negotiations with authority. Contact us now to discover if you should prioritize markets such as the United Kingdom, based on country-specific audience demand - including territories where commercial rights have not yet been granted. Apply a demand-based framework to negotiations with potential distribution partners such as Tokyo MX to maximize the deal value. Assess the strengths and weakness of the competition’s content, leading to increased commercial efficiency and ROI.
Maximize advertising revenues from new audiences in the United Kingdom. Contact us now to leverage a return-focused selection criteria for title acquisition from Tokyo MX by incorporating country-specific trend and market demand factors. Appeal to audience interests using demand-driven advertising and personalize campaigns to capitalize on pre-release demand for specific titles such as Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか). Access audience taste clusters weeks ahead of a premiere, resulting in high impact campaigns for titles that have not even been released.
Acquire the best shows from partners such as Tokyo MX to fortify your competitive position in the United Kingdom. Contact us now to access audience taste clusters weeks ahead of a premiere, resulting in high impact campaigns for titles (e.g. Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか)), including those that have not even been released. Leverage a return-focused selection criteria for title acquisition by incorporating country-specific trend and market demand factors.
Command your Animation genre niche with maximum net subscriber adds. Contact us now to harnesses audience demand data to gain insights for growing and keeping a subscriber base. Leverage a return-focused selection criteria for title acquisition from partners such as Tokyo MX by incorporating country-specific trend and market demand factors for all markets including the United Kingdom. Appeal to the individuality of your audience base, taking into consideration the unique and limitless characteristics of taste clusters.
Deploy high impact entertainment marketing strategies across all genres including Animation. Contact us now to deploy demand-driven marketing, the only empirical earned media measure of your marketing spend. Access audience taste clusters weeks ahead of a premiere, resulting in high impact campaigns for titles such as Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか), including those that have not even been released. Appeal to your target markets, including the United Kingdom, based on audience interests, enabling the personalization of campaigns to capitalize on pre-release demand.
Our TV audience measurement dataset is truly global. Discover how popular Tokyo MX‘s Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか) is in any of the following selected markets. Need data for other markets? Find out more about DEMAND360LITE.
Parrot Analytics is the leading global content demand analytics company for the multi-platform business of television. With the world’s largest TV audience demand dataset, the company currently tracks more than 1.5B daily expressions of demand in 100 languages, not only in the United Kingdom, but also in 100+ other markets around the world to reveal the television content that consumers watch (viewership) and give their attention to the most.
Parrot Analytics' television demand data highlights the global TV content monetization opportunities for Tokyo MX and thousands of TV studios, linear networks, broadcasters, pay TV providers and OTT / SVOD platforms.
Unlike TV ratings, our DemandRank TV rating system ensures that important demand signals are weighted more heavily than others: The more consumer effort required; the more importance is attached to each signal. Once all the signals are weighted and combined, the audience demand for Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか), for example, can be assessed for a market e.g. United Kingdom, which can then be benchmarked against genre averages (e.g. Japanese Animation), using our globally standardized Demand Expressions® metric.
This page has been altered on April 22, 2024, 2:02 p.m. PST using television demand datasets from Parrot Analytics for Is It Wrong To Try To Pick Up Girls In A Dungeon? (ダンジョンに出会いを求めるのは間違っているだろうか) in the United Kingdom. We provide our partners with extensive media industry analyses to help them drive better and more informed content investment strategies. Contact us today to find out more.